Testimonials

"We selected BEAR as the rigging tool for our latest full-feature, and we are thoroughly satisfied with this choice. The system's flexibility is a key asset, allowing it to integrate seamlessly with our pipeline. BEAR excels in all substeps of rigging, from setting guides and building the rig to creating deformation. This comprehensive functionality has streamlined our rigging process, enhancing both efficiency and quality. We are confident in our decision to continue using BEAR for our upcoming productions."

Sophia Zauner

Rigging Supervisor

"It's great that the simplified version of the rig allows you to progress very quickly in layout. The layout rigs include everything you need but are very light! With around 15-20 characters in the scene, the frame rate is still up to 30 fps, more than necessary."

Maria Spirko

Layout Artist

"I joined a production utilizing BEAR and was able to deliver my first rig literally on the same day. Using the builder felt very familiar, perfectly supporting the rigging workflow. We managed to complete my assets so quickly that I was released from the project weeks before deadline."

Noel Winzen

Rigging Artist

"I had to deal with prop rigging in the last project. That means working through a huge amount of assets in a short time. The BEAR workflow was perfectly designed for that. Reusing and recombining the rig components really accelerated my output and got faster day by day. At the same time the room for error was minimized. I wouldn't want to miss the tool in the next production."

Julien Hecker

Rigging Artist

"As one of the beta testers without any rigging knowledge I had the pleasure to try my best building a rig. Thanks to the clear instructions in the tooltips I didn't even have to switch pages and actually got my biped in place!"

Mason Doran

Modeling Artist

"I have felt very comfortable working with these rigs, even having more than 10 in the same scene. I have to highlight how well the quadrupeds behave. They allow themselves to be manipulated without ever losing their structure, making them suitable for both cartoon and realistic animations."

Carlos Álvarez Zambelli

Senior Animator